Post by account_disabled on Feb 19, 2024 3:28:38 GMT -6
Blues is a form of poetic-musical expression characterized by a lyrical, melodic, harmonic, and formal structure characteristic of African Americans. Blues is one of the main forms of African American music. It has become one of the most important traditions of popular music and one of the foundations of its development with the development of Rock and Roll and rock music since the 1950s. Jazz also has roots in the Blues and uses this music's model of musical form as a template for improvisation in many genres. The development of the blues is closely linked to the fate and living conditions of the African-American minority in the United States to this day . This close tie to the living conditions of the African-American minority in the United States has led to an almost unmanageable diversity of regional Blues playing styles, both vocal and instrumental. What is blues? While "being blue" in English means "to be sad, melancholic, melancholic," in the language of African Americans it carries a much more complex meaning.
Blues is not a lament, but a poetic and musical form of expressing social experiences in the reflection of the musician's subjectivity, a moment of self-understanding and self-confidence. This includes the inhuman harshness of living conditions on the plantations of the southern states in America and the ghettos of the major cities of North America, as well as the joie de vivre, wit and fun in celebrations and festivals. Blues texts, with their often hidden ambiguities (Doubletalk), candidly reflect all the hopes, desires, longings, and many painful experiences of African Americans. Musical features of blues latestdatabase.com The basic form of blues is built on a short harmonic sequence of eight, twelve or sixteen measures grouped into four measures each. Its basis is simple harmonic cadence with chords of the first, fourth and fifth stages of the scale, dating back to European roots. Each of the four-time groups in the melody structure corresponds to four-time phrases developed on the basis of a melodic variation procedure. During its development, a twelve-step type of form, often called the " Blues Scheme " or " Blues Formula ", emerged as the standard form of Blues.
This musical structure is derived from the poetic structure of Blues texts, its characteristics stem from the content feature of Blues. Unlike other vocal genres, it is not narrative but reflective in character, not referring to a story as a temporal course of events. But he notes an event, describes a situation (expression) with which the singer then relates reflectively, formulates his response (Response). Therefore, the musical form model of the Blues emerges organically. Although this official scheme describes a particularly widely used form of specifically composed Blues, the definition of the Blues by such a standard formula is due to the influence of the music industry since the early 1920s, which has led to standardization and standardization of such forms. The twelve-step standard form itself is rich in lyrical, melodic, harmonic and formal variants: There are Blues Strops, which consist of phrases repeated only twice (JELLY ROLL MORTON, "See See Rider Blues", 1929). There are text variants that repeat the response phrase in place of the statement (JOSH WHITE, Frankie and Johnny, 1935).
Blues is not a lament, but a poetic and musical form of expressing social experiences in the reflection of the musician's subjectivity, a moment of self-understanding and self-confidence. This includes the inhuman harshness of living conditions on the plantations of the southern states in America and the ghettos of the major cities of North America, as well as the joie de vivre, wit and fun in celebrations and festivals. Blues texts, with their often hidden ambiguities (Doubletalk), candidly reflect all the hopes, desires, longings, and many painful experiences of African Americans. Musical features of blues latestdatabase.com The basic form of blues is built on a short harmonic sequence of eight, twelve or sixteen measures grouped into four measures each. Its basis is simple harmonic cadence with chords of the first, fourth and fifth stages of the scale, dating back to European roots. Each of the four-time groups in the melody structure corresponds to four-time phrases developed on the basis of a melodic variation procedure. During its development, a twelve-step type of form, often called the " Blues Scheme " or " Blues Formula ", emerged as the standard form of Blues.
This musical structure is derived from the poetic structure of Blues texts, its characteristics stem from the content feature of Blues. Unlike other vocal genres, it is not narrative but reflective in character, not referring to a story as a temporal course of events. But he notes an event, describes a situation (expression) with which the singer then relates reflectively, formulates his response (Response). Therefore, the musical form model of the Blues emerges organically. Although this official scheme describes a particularly widely used form of specifically composed Blues, the definition of the Blues by such a standard formula is due to the influence of the music industry since the early 1920s, which has led to standardization and standardization of such forms. The twelve-step standard form itself is rich in lyrical, melodic, harmonic and formal variants: There are Blues Strops, which consist of phrases repeated only twice (JELLY ROLL MORTON, "See See Rider Blues", 1929). There are text variants that repeat the response phrase in place of the statement (JOSH WHITE, Frankie and Johnny, 1935).